Without the Cross. Dostoevsky as performed on the modern stage. <br>Elimination of Christianity context in F.Dostoevsky's works as classic texts censoring issue

Without the Cross. Dostoevsky as performed on the modern stage.
Elimination of Christianity context in F.Dostoevsky's works as classic texts censoring issue

Abstract. In this article the basic principles of Dostoevsky's works interpretation on the modern stage are analyzed, in particular - as the central question - the stage interpretation of the classic devoid of religion (Christianity) context is investigated.

Key words: modern theatre, interpretation, stage direction, classics, tradition, freedom, art in Russia, theatre criticism.

Koksheneva Kapitalina Antonovna,
D. in Philology,
Russian Scientific Research Institute for Cultural and Natural Heritage
named after D.Likhachev (Moscow).

Founder
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Publisher
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Frequency
4 issues per year

Published
online only

Certificate
of the mass
information media
registration:
Эл. № ФС77-59205,
date: 03.09.2014

институт культурного

и природного наследия

имени Д.С.Лихачёва,

2014-2024.

Мнение редакции может не совпадать с мнением авторов.
     The authors’ opinions expressed therein are not necessarily those of the Editor.

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ссылка на cr-journal.ru обязательна.
     Any use of the website materials shall be accompanied by the web page reference.

Поддержка — Российский научно-исследовательский институт
культурного и природного наследия имени Д.С.Лихачёва (Институт Наследия).
     The website is managed by the Likhachev Russian Research Institute
for Cultural and Natural Heritage (Heritage Institute).