2013/4(14)

Contents

Semantics of Culture

Makhov A.

Nenarokova M.

Cultural History

Moskovskaya D.

Humanities

Chekalov K.

Gorskaja A.

Museology

Polyakov T.

Small Encyclopaedia
of Culturology

Okorokov A.

Reviews

Yureneva T.

Current Events

Troshin A.

Kazakova O.

Gorskaya A.

Nenarokova M.

 
UDC 821.161.1
Gorskaja A.
A symbolic image of bread and collision of readers and writers in Andrey Platonov’s satirical works of the 1920-s.
   
Abstract. Platonov’s symbolic image of bread is linked with the ideas of spiritual nourishment, continuation of life, creative realization. Quite often, although, the symbol receives an opposite meaning of non-assuagement, non-creation.

For the first the specified feature has appeared in Platonov’s satirical works written in the years of 1925 – 1927: “Antisexus”, “The Factory of literature”, “The Moscow society of consumers of literature (MSCL). The report of a chronicler”. In the “trilogy” occurs polemic rethinking of Mayakovsky’s bread metaphors as an expression of the lifebuilding idea of the leftist literature.

At the same time, with a readers figure gradual inclusion in the narrative, a whole wide range of meanings of Platonov’s symbol of bread is building up. The manifestation of symbol’s multidimensionality is closely connected to the author’s contraposition Mayakovsky – Esenin. 

Key words: а symbol of bread, Andrey Platonov, Vladimir Mayakovsky, the leftist art, Sergey Esenin, a simple reader.


Gorskaya Anna Olegovna,
a post-graduate student,
A.M.Gorky Institute of World Literature (Moscow),
e-mail: gorskaja@gmail.com


 

Founder
  Likhachev
  Russian Research
  Institute for Cultural
  and Natural
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  Likhachev
  Russian Research
  Institute for Cultural
  and Natural
  Heritage

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