Chekhov. Trilogy. Konchalovsky.

Abstract. The article reviews Chekhov’s plays ‘Uncle Vanya’, ‘Three Sisters’ and ‘The Cherry Orchard’, directed by A.Konchalovsky in Mossovet Theatre, as a trilogy, as theatre novel. The cross-cutting plots of the novel are analyzed in connection with some motives of the New Testament. The trilogy returns the dramatist Chekhov to Russian modern theatre as religious, orthodox writer, thereby showing an innovative approach by the director and actors to classic plays by Chekhov.

Key words: author, classics, trilogy, director, actor, actress, space, time, hero.

Streltsova Elena Ivanovna,
PhD in Art Studies,
theater critic, theater historian,
e-mail: streltsovaei@gmail.com

Founder
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Publisher
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Frequency
4 issues per year

Published
online only

Certificate
of the mass
information media
registration:
Эл. № ФС77-59205,
date: 03.09.2014

институт культурного

и природного наследия

имени Д.С.Лихачёва,

2014-2024.

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     The authors’ opinions expressed therein are not necessarily those of the Editor.

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     Any use of the website materials shall be accompanied by the web page reference.

Поддержка — Российский научно-исследовательский институт
культурного и природного наследия имени Д.С.Лихачёва (Институт Наследия).
     The website is managed by the Likhachev Russian Research Institute
for Cultural and Natural Heritage (Heritage Institute).