Formation of dance theater in Taiwan as a form of cultural nationalism<br>and modernization

Abstract. The article describes the evolution of dance theater in Taiwan and analyzes Lin Hwy Ming’s creativity. It demonstrates the role of dance theater and choreography language in the evolution of cultural nationalism. The aim of the article is to analyze the formation of Taiwan dance theater as a form of assertion of national identity.

Key words: philosophy of dance, dance, and national identity, language of dance and worldview, Dance Theatre in Taiwan, Lin Hwy Min’s dance ideology.

GritsenkoVasily Petrovich,
Dr. in Philosophy, Professor,
Vice-Rector in scientific work, Krasnodar State University of Culture and Arts (Krasnodar),
e-mail: postmodernis@mail.ru

Ryzhankova Olga Vladimirovna,
graduate student,
Krasnodar State University of Culture and Arts (Krasnodar),
e-mail 5082050@mail.ru

Founder
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Publisher
Likhachev
Russian Research
Institute for Cultural
and Natural
Heritage

Frequency
4 issues per year

Published
online only

Certificate
of the mass
information media
registration:
Эл. № ФС77-59205,
date: 03.09.2014

институт культурного

и природного наследия

имени Д.С.Лихачёва,

2014-2025.

Мнение редакции может не совпадать с мнением авторов.
     The authors’ opinions expressed therein are not necessarily those of the Editor.

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     Any use of the website materials shall be accompanied by the web page reference.

Поддержка — Российский научно-исследовательский институт
культурного и природного наследия имени Д.С.Лихачёва (Институт Наследия).
     The website is managed by the Likhachev Russian Research Institute
for Cultural and Natural Heritage (Heritage Institute).