2014/4(18)

Contents

Humanities

Zaitseva A.

Zhukovsky A.

Matsevich A.

Dovgiy O.

Lebedeva E.

Languages of Culture

Nenarokova M.

Farsetti А.

Goncharenko A.

Akimova A.S

Okulova S.

Small Encyclopaedia of Culturology

Baksheev S.

Reviews

Klimov V.

Umnyashov A.

Monguch M.

Mongush M.

Sofronova L

Kashbyk-ool, Saylyk

Lakutina N.

Current Events

Baryshev I.
Kuliev A.
Pechersky O.
Popov A.

Dovgiy O.

 
UDC 821.161.1
Farsetti А.
Ivan Aksenov’s «Serenade»: to understand the text and context

Abstract.
This article focuses on I.A. Aksenov’s poem “Serenade” (1920). Our detailed analysis has shown that the poem is a particular experiment of style in reporting an experience of the lyric “I”, which recalls contemporary literary tendencies such as the “Stream of Consciousness”. Moreover, the humoristic character of his poem could allude to a parodic aim. We have considered T. Corbière’s parodies as his literary model and interpreted “Serenade” as a mocking poem addressed to pre-futurist Russian poets (especially Balmont and Gumilev).

Key words: I.A. Aksyonov (1884-1935), Silver Age, Serenade, Stylization, Comic Poetry, Stream of Consciousness, Parody, Exotics.


Farsetti Alessandro, 
PhD Candidate in Russian Literature,
Department of Linguistics and Comparative Cultural Studies
Ca' Foscari University of Venice (Venice),
e-mail: alessandrofarsetti@gmail.com

 

Founder
  Russian Scientific
  Research Institute
  for Cultural and
  Natural Heritage
  named after
  D.Likhachev

Publisher
  Russian Scientific
  Research Institute
  for Cultural and
  Natural Heritage
  named after 
  D.Likhachev

Certificate
of the mass
information media
registration:
Эл. № ФС77-59205,
date: 03.09.2014

Frequency 

  4 issues per year

Published
online only


  
© Российский институт
    культурологии, 2010-2014.
© Российский научно-
    исследовательский
    институт культурного
    и природного наследия
    имени Д.С.Лихачева,
    2014-2022.

 


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